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I soliti idioti 3 – Il ritorno

I soliti idioti 3 - Il ritorno

Director: Fabrizio Biggio, Francesco Mandelli
Cast: Fabrizio Biggio, Francesco Mandelli
Directors: Fabrizio Biggio, Martino Ferro, Francesco Mandelli
Writers: Fabrizio Biggio, Francesco Mandelli
Duration: 101 minutes
Genre: Comedy
Country and Year: Italy, 2024
Produced by: Roadmovie Distributed by: Medusa film

Idea

Behind the scenes, we took care of ART direction and VFX (video special effects) realization.

Work

Our contributions can be seen:
– With the face replacement in the iconic streetcar scene.
– From the unusual “Horizontal Asshole” to the “Vertical Forest,” we integrated these creations into the narrative fabric of the film.
– From the opening credits set in a dreamlike cemetery to the surreal post office canyon
– Reconstruction of the smoke effect in the bar scenes, creating an atmosphere thick with mystery.
– The UIs (user interfaces) of smartwatches, tablets, cell phones and car navigation systems.
– Tracking and keying of green screens
– The creation of animated backdrops for all TV shows, from TV programs such as “Pomeriggio intimo” and “Un giorno in tribunale” to interactive elements, was created with pinpoint accuracy.
– Tracking and green screen replacement of all TVs, smartwatches, tablets, photo albums, and screens in general
– Tracking and green screen replacement: an intervention that makes every screen, from smartwatch screen, tablet, photo album, and screens in general, a work of art.
– Through sophisticated “beautification” surgeries, we have elevated the visual quality of each scene, giving the film cleanliness; each shot has been refined to give the viewer a cinematic experience of unparalleled beauty, free of any visual imperfections.

Idea

Behind the scenes, we took care of ART direction and VFX (video special effects) realization.

Work

Our contributions can be seen:
– With the face replacement in the iconic streetcar scene.
– From the unusual “Horizontal Asshole” to the “Vertical Forest,” we integrated these creations into the narrative fabric of the film.
– From the opening credits set in a dreamlike cemetery to the surreal post office canyon
– Reconstruction of the smoke effect in the bar scenes, creating an atmosphere thick with mystery.
– The UIs (user interfaces) of smartwatches, tablets, cell phones and car navigation systems.
– Tracking and keying of green screens
– The creation of animated backdrops for all TV shows, from TV programs such as “Pomeriggio intimo” and “Un giorno in tribunale” to interactive elements, was created with pinpoint accuracy.
– Tracking and green screen replacement of all TVs, smartwatches, tablets, photo albums, and screens in general
– Tracking and green screen replacement: an intervention that makes every screen, from smartwatch screen, tablet, photo album, and screens in general, a work of art.
– Through sophisticated “beautification” surgeries, we have elevated the visual quality of each scene, giving the film cleanliness; each shot has been refined to give the viewer a cinematic experience of unparalleled beauty, free of any visual imperfections.

Moving Dots

Moving Dots

Video

Scena Canyon Affaccio

Scena Canyon Apertura

Scena Canyon Caduta Animata

Scena Cimitero Titoli 3

Scena Cimitero Tomba 3D Grain And Leaves Square

Scena Cimitero Gianluca

Scena Cimitero Mano

Scena Drone Dirigibile

Scena Orologi Polso

Scena Patrixia

Scena Porta Consegna

Scena Poste App

Creazione dello “stronzo orizzontale” Foresta Verticale 1

Creazione dello “stronzo orizzontale” Foresta Verticale 2

Scena Tram Ruggero Video